The Final Frontier  # 24 January 2020

Michael Chabon, Picard Star Trek series writer, in a New Yorker personal history piece about his father:

The episode rises above the banality of a premise as old as Grendel, and some creature effects that are truly risible—even to a ten-year-old in 1973, the homicidal Horta looked like an ambulatory slice of Stouffer’s French-bread pizza—by making an honest effort to imagine nonorganic life and then, in the characteristic turn that gives the “Star Trek” franchise its enduring beauty and power, by insisting that fear and prejudice were no match for curiosity and an open mind, that where there was consciousness there could be communication, and that even a rock, if sentient, had the right to life, liberty, and the pursuit of happiness.